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I’m not Kurt Cobain.” Instead, she developed her soft contralto, and began plucking single notes to double the melody of her singing—the roots of the unembellished guitar patterns that are an xx signature.She recorded rudimentary cover songs on her computer.She looked sufficiently alien under the bright Southern sun that she was stopped by a young man who wanted to photograph her. Madley Croft grew up in the London suburb of Putney, the only child of an art-teacher mother and a father who worked in a library.“I was a very shy kid and really into art,” she says.The new album was another collection of plaintive ballads, but the band, praised for its spare style, reduced its arrangements almost to nothing; some verses were just a single voice over the distant whistle of one of Smith’s samplers. charts, but failed to generate the critical acclaim of the first album.Released in September, 2012, the album débuted at No. Some complained that it showed little musical advance over “xx” and suffered from an airless mood and fussy production—flaws that the band reluctantly acknowledges.The idea originated with Caius Pawson, a twenty-eight-year-old Londoner who manages the band, owns its record label, and acts as a kind of creative facilitator. ” He explained, “The first album came out of their limitations.
Among those she confided in was Sim, her closest friend since nursery school.Sim, swaying his bass in the air, faced off with her, in a pantomime of confrontation and retreat that could have been a lovers’ quarrel or a taunting seduction.